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From the Inventory of Images I Cannot Unsee

dc.contributor.advisorDaniels, Kate
dc.contributor.advisorClark, Tiana
dc.contributor.advisorJarman, Mark
dc.creatorCarlos, Maria Isabelle
dc.date.accessioned2021-09-22T14:49:11Z
dc.date.created2021-08
dc.date.issued2021-07-14
dc.date.submittedAugust 2021
dc.identifier.urihttp://hdl.handle.net/1803/16849
dc.description.abstractFrom the Inventory of Images I Cannot Unsee is a collection of original poetry that explores Asian American diasporic families, intergenerational influences and inheritances, trauma and recovery, queerness, womanhood, and the possibilities and limits of language. The foreword is a discussion of my influences, growth, and creative process as a writer, with brief analyses of excerpts by poets Sharon Olds, Jack Gilbert, and Theodore Roethke. The collection itself is divided into three unnamed sections: first, with poems revolving around history, family-centered communities, and the onset of trauma; second, explorations of Filipino mythology as related to trauma and womanhood, and the navigation of survival; and finally, illustrations of the speaker as an adult and as a writer, reckoning with the lasting effects of trauma and discovering new aspects of her sexuality and womanhood.
dc.format.mimetypeapplication/pdf
dc.language.isoen
dc.subjectpoetry
dc.subjectAsian American
dc.subjectFilipino
dc.subjectmythology
dc.subjecttrauma
dc.subjectrecovery
dc.subjectfamily
dc.subjectsexuality
dc.subjectwomanhood
dc.subjectlanguage
dc.subjecthistory
dc.titleFrom the Inventory of Images I Cannot Unsee
dc.typeThesis
dc.date.updated2021-09-22T14:49:11Z
dc.type.materialtext
thesis.degree.nameMFA
thesis.degree.levelMasters
thesis.degree.disciplineCreative Writing
thesis.degree.grantorVanderbilt University Graduate School
local.embargo.terms2023-08-01
local.embargo.lift2023-08-01
dc.creator.orcid0000-0002-4296-5818


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