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Pushing Boundaries: The Variable Concept of Identity in Satiric Dancer

dc.contributor.authorDempsey, Elizabeth
dc.date.accessioned2009-06-04T22:10:27Z
dc.date.available2009-06-04T22:10:27Z
dc.date.issued2009-03-22
dc.identifier.urihttp://hdl.handle.net/1803/3029
dc.descriptionA paper for History of ART 231: 20th Century European Art, Fall 2008. Dempsey analyzes the composition of the photograph Satiric Dancer by André Kertész in order to argue that photography can challenge the notion of identity as an objective concept. A reproduction of the photograph is included.en
dc.language.isoen_USen
dc.publisherVanderbilt University. Writing Studioen
dc.subjectTwentieth-Century European Arten
dc.subjectUndergraduate Writing Symposiumen
dc.subjectSatiric danceren
dc.subject.lcshHuman figure in arten
dc.subject.lcshKertész, Andréen
dc.subject.lcshComposition (Photography)en
dc.subject.lcshPhotography, Artisticen
dc.subject.lcshIdentity (Philosophical concept) in arten
dc.titlePushing Boundaries: The Variable Concept of Identity in Satiric Danceren
dc.typePaperen
dc.description.collegeCollege of Arts and Scienceen
dc.description.departmentDepartment of History of Arten


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