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Pushing Boundaries: The Variable Concept of Identity in Satiric Dancer

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dc.contributor.author Dempsey, Elizabeth
dc.date.accessioned 2009-06-04T22:10:27Z
dc.date.available 2009-06-04T22:10:27Z
dc.date.issued 2009-03-22
dc.identifier.uri http://hdl.handle.net/1803/3029
dc.description A paper for History of ART 231: 20th Century European Art, Fall 2008. Dempsey analyzes the composition of the photograph Satiric Dancer by André Kertész in order to argue that photography can challenge the notion of identity as an objective concept. A reproduction of the photograph is included. en
dc.language.iso en_US en
dc.publisher Vanderbilt University. Writing Studio en
dc.subject Twentieth-Century European Art en
dc.subject Undergraduate Writing Symposium en
dc.subject Satiric dancer en
dc.subject.lcsh Human figure in art en
dc.subject.lcsh Kertész, André en
dc.subject.lcsh Composition (Photography) en
dc.subject.lcsh Photography, Artistic en
dc.subject.lcsh Identity (Philosophical concept) in art en
dc.title Pushing Boundaries: The Variable Concept of Identity in Satiric Dancer en
dc.type Paper en
dc.description.college College of Arts and Science en
dc.description.department Department of History of Art en


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