dc.contributor.author | Dempsey, Elizabeth | |
dc.date.accessioned | 2009-06-04T22:10:27Z | |
dc.date.available | 2009-06-04T22:10:27Z | |
dc.date.issued | 2009-03-22 | |
dc.identifier.uri | http://hdl.handle.net/1803/3029 | |
dc.description | A paper for History of ART 231: 20th Century European Art, Fall 2008. Dempsey analyzes the composition of the photograph Satiric Dancer by André Kertész in order to argue that photography can challenge the notion of identity as an objective concept. A reproduction of the photograph is included. | en |
dc.language.iso | en_US | en |
dc.publisher | Vanderbilt University. Writing Studio | en |
dc.subject | Twentieth-Century European Art | en |
dc.subject | Undergraduate Writing Symposium | en |
dc.subject | Satiric dancer | en |
dc.subject.lcsh | Human figure in art | en |
dc.subject.lcsh | Kertész, André | en |
dc.subject.lcsh | Composition (Photography) | en |
dc.subject.lcsh | Photography, Artistic | en |
dc.subject.lcsh | Identity (Philosophical concept) in art | en |
dc.title | Pushing Boundaries: The Variable Concept of Identity in Satiric Dancer | en |
dc.type | Paper | en |
dc.description.college | College of Arts and Science | en |
dc.description.department | Department of History of Art | en |