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The Evolution of the Nineteenth Century Italian Operatic Tenor

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dc.contributor.author Sen, Suranjan Matthew
dc.date.accessioned 2009-06-11T14:15:50Z
dc.date.available 2009-06-11T14:15:50Z
dc.date.issued 2009-03-22
dc.identifier.uri http://hdl.handle.net/1803/3084
dc.description A paper for Music Literature and History 244: Music of the Romantic and Modern Eras, Spring 2008. Sen explains how the sound of the tenor we know today is the result of gradual change in opera composition--the tenor came to replace the castrato only after vocalists collaborated with composers. en
dc.language.iso en_US en
dc.publisher Vanderbilt University. Writing Studio en
dc.subject Undergraduate Writing Symposium en
dc.subject Music of the Romantic and Modern Eras en
dc.subject.lcsh Opera -- Italy -- 19th century en
dc.subject.lcsh Tenors (Singers) -- Italy -- History en
dc.subject.lcsh Music -- Performance -- Italy -- History -- 19th century en
dc.subject.lcsh Verdi, Giuseppe, 1813-1901 en
dc.subject.lcsh Rubini, Gio. Battista (Giovanni Battista), 1794-1854 en
dc.subject.lcsh Duprez, Gilbert Louis, 1806-1896 en
dc.subject.lcsh Rossini, Gioacchino, 1792-1868 en
dc.title The Evolution of the Nineteenth Century Italian Operatic Tenor en
dc.type Paper en
dc.description.school Blair School of Music en
dc.description.department Music Literature and History en


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