The Evolution of the Nineteenth Century Italian Operatic Tenor

dc.contributor.author	Sen, Suranjan Matthew
dc.date.accessioned	2009-06-11T14:15:50Z
dc.date.available	2009-06-11T14:15:50Z
dc.date.issued	2009-03-22
dc.identifier.uri	http://hdl.handle.net/1803/3084
dc.description	A paper for Music Literature and History 244: Music of the Romantic and Modern Eras, Spring 2008. Sen explains how the sound of the tenor we know today is the result of gradual change in opera composition--the tenor came to replace the castrato only after vocalists collaborated with composers.	en
dc.language.iso	en_US	en
dc.publisher	Vanderbilt University. Writing Studio	en
dc.subject	Undergraduate Writing Symposium	en
dc.subject	Music of the Romantic and Modern Eras	en
dc.subject.lcsh	Opera -- Italy -- 19th century	en
dc.subject.lcsh	Tenors (Singers) -- Italy -- History	en
dc.subject.lcsh	Music -- Performance -- Italy -- History -- 19th century	en
dc.subject.lcsh	Verdi, Giuseppe, 1813-1901	en
dc.subject.lcsh	Rubini, Gio. Battista (Giovanni Battista), 1794-1854	en
dc.subject.lcsh	Duprez, Gilbert Louis, 1806-1896	en
dc.subject.lcsh	Rossini, Gioacchino, 1792-1868	en
dc.title	The Evolution of the Nineteenth Century Italian Operatic Tenor	en
dc.type	Paper	en
dc.description.school	Blair School of Music	en
dc.description.department	Music Literature and History	en