| dc.contributor.author |
Sen, Suranjan Matthew |
|
| dc.date.accessioned |
2009-06-11T14:15:50Z |
|
| dc.date.available |
2009-06-11T14:15:50Z |
|
| dc.date.issued |
2009-03-22 |
|
| dc.identifier.uri |
http://hdl.handle.net/1803/3084 |
|
| dc.description |
A paper for Music Literature and History 244: Music of the Romantic and Modern Eras, Spring 2008. Sen explains how the sound of the tenor we know today is the result of gradual change in opera composition--the tenor came to replace the castrato only after vocalists collaborated with composers. |
en |
| dc.language.iso |
en_US |
en |
| dc.publisher |
Vanderbilt University. Writing Studio |
en |
| dc.subject |
Undergraduate Writing Symposium |
en |
| dc.subject |
Music of the Romantic and Modern Eras |
en |
| dc.subject.lcsh |
Opera -- Italy -- 19th century |
en |
| dc.subject.lcsh |
Tenors (Singers) -- Italy -- History |
en |
| dc.subject.lcsh |
Music -- Performance -- Italy -- History -- 19th century |
en |
| dc.subject.lcsh |
Verdi, Giuseppe, 1813-1901 |
en |
| dc.subject.lcsh |
Rubini, Gio. Battista (Giovanni Battista), 1794-1854 |
en |
| dc.subject.lcsh |
Duprez, Gilbert Louis, 1806-1896 |
en |
| dc.subject.lcsh |
Rossini, Gioacchino, 1792-1868 |
en |
| dc.title |
The Evolution of the Nineteenth Century Italian Operatic Tenor |
en |
| dc.type |
Paper |
en |
| dc.description.school |
Blair School of Music |
en |
| dc.description.department |
Music Literature and History |
en |
