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"All thinking things" and "Objects of all thought": Materiality and Thought in Wordsworth, Coleridge and Keats
(Vanderbilt University, 2009-04-20)
Burning Castles in Sherwood Forest: The Construction and Destruction of Political Ideology in Scott, Peacock, and Conan Doyle
(Vanderbilt University, 2012-04-18)
For this study, I have chosen to concentrate on three historical novels from the nineteenth-century that are set in the medieval period: Ivanhoe, by Walter Scott; Maid Marian, a reworking of the Robin Hood legend by Thomas ...
The Fury and the Mire: Readers, Reading, and Our Digital World
(Vanderbilt University, 2013-04-17)
Binary Domination and Bondage: Blake's Representations of Race, Nationalism, and Gender
(Vanderbilt University, 2013-04-17)
"The French Book Saith": Malory’s Adaptation of His Sources
(Vanderbilt University, 2012-04-17)
Rancière’s Political "Perceptible" and Perversions of Marxist Ideology: An Analysis of Narrative Politics in Brecht, Bulgakov, and Ishiguro
(Vanderbilt University, 2013-04-17)
No Game for Knights: The Arthurian Legend in Hardboiled Detective Fiction
(Vanderbilt University, 2009-04-29)
Fictions of Escape and the Economy of Gender in Victorian Children's Literature
(Vanderbilt University, 2009-04-28)
Writing the Vampire: Constitutions of Gender in Carmilla, Dracula, and Buffy the Vampire Slayer
(Vanderbilt University, 2009-04-22)
Examination of the constitutions of gender and sexuality in three texts centered on vampires.
The “Universal Cannibalism” of Things: A Historical, Psychoanalytic Treatment of Melville’s Bartleby, Benito Cereno, The Encantadas, and Billy Budd
(Vanderbilt University, 2012-04-16)
This study will evaluate Herman Melville’s Bartleby the Scrivener, Benito Cereno, The Encantadas, and Billy Budd as evidence of Melville’s embrace of an historical view of the U.S. and will further analyze these novellas ...