| dc.contributor.author | Lieberman, N. Samara | |
| dc.date.accessioned | 2015-06-25T19:52:06Z | |
| dc.date.available | 2015-06-25T19:52:06Z | |
| dc.date.issued | 2015-04-15 | |
| dc.identifier.uri | http://hdl.handle.net/1803/7115 | |
| dc.description | English Department Honors Thesis. | en_US |
| dc.language.iso | en_US | en_US |
| dc.publisher | Vanderbilt University | en_US |
| dc.subject.lcsh | Newcastle, Margaret Cavendish, Duchess of, 1624?-1674 -- Criticism and interpretation | en_US |
| dc.subject.lcsh | Newcastle, Margaret Cavendish, Duchess of, 1624?-1674. Loves Adventures | en_US |
| dc.subject.lcsh | Newcastle, Margaret Cavendish, Duchess of, 1624?-1674. Assaulted and Pursued Chastity | en_US |
| dc.subject.lcsh | Newcastle, Margaret Cavendish, Duchess of, 1624?-1674. The Contract | en_US |
| dc.title | Performative Poetics: Intersections of rhetoric and gender politics in Margaret Cavendish’s Loves Adventures, Assaulted and Pursued Chastity, and The Contract | en_US |
| dc.type | Thesis | en_US |
| dc.description.college | College of Arts and Science | en_US |
| dc.description.department | English Department | en_US |
