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Heute hat ein Gedicht mich wieder erschaffen: Origins of Poetic Identity in Rose Ausländer

dc.creatorRomero, Aurora Belle
dc.date.accessioned2020-08-21T21:31:13Z
dc.date.available2016-03-30
dc.date.issued2016-03-30
dc.identifier.urihttps://etd.library.vanderbilt.edu/etd-03242016-002137
dc.identifier.urihttp://hdl.handle.net/1803/11237
dc.description.abstractThe development of Ausländer’s poetic identity is tracked by analyzing a distinctly Romantic aesthetic in her oeuvre. These aesthetics are placed into historical and literary context by examining the influence of other poets of the 19th and 20th centuries, such as Heinrich Heine, Annette Droste-Hülshoff, Else Lasker-Schüler, and Rainer Maria Rilke on Ausländer. This analysis also reveals the strong affiliation of the poet to place and the appropriation of literary figures like the Loreley and Scheherazade.
dc.format.mimetypeapplication/pdf
dc.subjectGerman
dc.subjectpoetry
dc.subjectAusländer
dc.subjectJewish
dc.subjectwomen
dc.subjectlandscapes
dc.subjectHeine
dc.subjectDroste-Hülshoff
dc.subjectLasker-Schüler
dc.titleHeute hat ein Gedicht mich wieder erschaffen: Origins of Poetic Identity in Rose Ausländer
dc.typedissertation
dc.contributor.committeeMemberP. James McFarland
dc.contributor.committeeMemberJohn A. McCarthy
dc.contributor.committeeMemberWilliam Franke
dc.type.materialtext
thesis.degree.namePHD
thesis.degree.leveldissertation
thesis.degree.disciplineGerman
thesis.degree.grantorVanderbilt University
local.embargo.terms2016-03-30
local.embargo.lift2016-03-30
dc.contributor.committeeChairChristoph M. Zeller


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