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Now showing items 21-30 of 44
Indo-Persian Performative Identities and the Harlequin: Agency and Subversion in The Wonders of Vilayet and The Travels of Mirza Abu Taleb Khan
(Vanderbilt University, 2015-04-15)
Locating the Russian Hero: Genre, Gender, and National Identity in Mikhail Lermontov's A Hero of Our Time
(Vanderbilt University, 2015-10-26)
A Study in Empathy: Cognitive Disorders Exposed in First Person Narrators
(Vanderbilt University, 2015-04-15)
Recognizing Trauma, Expanding Treatment: Toni Morrison’s Portrayal of Post-Traumatic Stress Disorder in *Sula*, *Beloved*, and *Home*
(Vanderbilt University, 2014-04-16)
I argue that one of the most major focuses in Toni Morrison’s novels is the exploration of trauma, specifically the forms of trauma that have afflicted the African American community. Although Morrison’s novels predominantly ...
"Compton's Human Sacrifice": Kendrick Lamar and the Identity of Exile
(Vanderbilt University, 2017-04-24)
No Game for Knights: The Arthurian Legend in Hardboiled Detective Fiction
(Vanderbilt University, 2009-04-29)
Fictions of Escape and the Economy of Gender in Victorian Children's Literature
(Vanderbilt University, 2009-04-28)
Writing the Vampire: Constitutions of Gender in Carmilla, Dracula, and Buffy the Vampire Slayer
(Vanderbilt University, 2009-04-22)
Examination of the constitutions of gender and sexuality in three texts centered on vampires.
The “Universal Cannibalism” of Things: A Historical, Psychoanalytic Treatment of Melville’s Bartleby, Benito Cereno, The Encantadas, and Billy Budd
(Vanderbilt University, 2012-04-16)
This study will evaluate Herman Melville’s Bartleby the Scrivener, Benito Cereno, The Encantadas, and Billy Budd as evidence of Melville’s embrace of an historical view of the U.S. and will further analyze these novellas ...